I'm really enjoying working on my Dear Jane blocks and my new skill of back basting is being put to good use. The star block on the top right hand side is an example- the block is pieced and then you needle-turn applique the blue on top of the white to make the arrow shape form, finally stitching white triangles across the corners to finish the block..
Here's the 20 blocks I've finished so far. If you are thinking of starting on your journey with Dear Jane, there are lots of hints on the official Dear Jane page online to make the blocks easier to piece or applique. I think that making so many blocks which are only 4.5 inches will give me more skills I can use with other quilts.
In the meantime I'm enjoying the journey.
Hugs, Jan Mac
I've been a back basting demon since I learned the technique a few weeks ago. It is so much easier to place applique pieces for needle turn when there are a few pieces which overlap each other. It's so much easier to avoid gaps between the pieces. The first block is a BOM from Sentimental Stitches and is one from the Scrap Savers Baltimore quilt. I finished the block with back basting and it made it much easier to fit the flowers into the green "cups". I can see that although there is still a bit of prep involved I enjoy the hand stitching along the lines and apart from a sore finger where I catch the needle underneath the fabric, I am finding it enjoyable.
I also back basted another block from my Chester Criswell quilt and plan to prep a few more blocks to take with me on my travels.
I have also basted another block and started stitching for the Scrap Savers Baltimore and have started prepping the very large block for my new project. This one will be a 4 block quilt and borders and each block measures about 38" so the applique pieces are very large. Back basting uses more fabric but is more accurate and let's face it I have plenty of fabric to work with and if I run out, I believe they are still making it.
I hope you're all enjoying some stitching time as well.
Hugs, Jan Mac
I have just learned how to do Sashiko stitching from Brenda Papadakis and I really love the effect. I can see it won't be my last attempt. I can feel my whole body relax when I sit and hand stitch and it almost feels like a form of meditation for me. Now I want to find more Sashiko kits and stitch some more designs.
At my first two day workshop with Ms Brenda P., we learned back-basting as a way to place our applique pieces accurately on the background and although I haven't had much time to practice due to working, I can see it will be a very useful tool, especially when I may not have a light box to use. The first attempt will be with my Sentimental Stitches BOM- Scrap Savers Baltimore. I stuck the pattern pieces together and then outlined every piece with a pink texta so I could see the marking lines without using a light box. I then turned the pattern over and was able to see the texta lines through the paper. As I was going to be tracing onto the back of my fabric I didn't want to have the design reversed and this made it easy to trace and see the lines.
I will back-baste the leaves but will make the stems by cutting them as bias pieces as they are narrow and they are intertwined so it will be easier to use this technique than back-basting them. I did however, stitch along one side of each of the stem lines so I can easily see where to place them.
If you look closely you can see the bright pink stitching guide lines. I will only back- baste the leaves for this pattern and will make the grapes individually and then stitch them down instead of back-basting. Again drawing the position of the grapes will help their placement but it doesn't have to be as precise as when placing leaves on the stems. I can see that learning some new techniques will add to my skills with applique and make life a bit easier when I'm traveling and not able to use a light box.
I hope this information has been helpful when considering using back-basting as a technique. I hope to show some progress with the stitching very soon.
Thanks for stopping by and for all of your lovely comments.
Hugs, Jan Mac
Since my 2 day workshop withe the delightful Brenda Papadakis, I am determined to keep the momentum going by working on my Baby Jane blocks on a regular basis. For the last couple of days I made 2 and a half and finished the half block and made 2 more today.
Brenda gave us a photocopied sheet from the book so we can paste the fabric scrap over each block as we do it. It will help to ensure we don't have the same fabric next to each other. So far I am anble to use a new blue fabric for each block but I still have a long way to go.
Here's my 16 so far and I'm happy with my progress. I don't stitch them if the light isn't good as my eyesight is probably not as keen as Jane Stickle.
Hearing that our next Applique Group's Exhibition will be in 17 months time I decided to draft up a quilt I have been planning to make, in the hope that I'll have it to show in March 2016. It's 4 large applique blocks and I bought the fabric earlier this year. It will be a modern take on a vintage quilt and I'm just in the early stages at the moment. I don't want to forget Baby Jane though as well as my two half inch hexagon quilts> Sew many quilts and sew little time! I'm off to bed again now as I have more nights to work.
Hugs, Jan Mac
At our Applique Group's meeting yesterday we were treated to a talk and Show and Tell by Lisa and Louise from the Max and Louise Pattern Company. They shared their journey with starting their business in developing patterns and how they work collaboratively. They make all of their designs in two colour-ways and it's surprising how different the designs can be just by using different fabric selections. Their first design was The Unknown Quilt- based on two different antique quilt designs.
This is their 18th Century Stars design.
This is their Tessellate design.
Their Gracedale Doves pattern is based on an antique quilt shown by Lou on the right of the photo. They have included templates for the doves block.
They also have some lovely small quilt designs and these patterns include from 3 to 5 designs in each pattern set.
I love the printed text on the background fabric of this lovely little quilt.
As you can see they are very talented and prolific quilters and I'm sure we'll see lots more of their designs in the future. For US readers they distribute through The Quilt Merchant and Homestead Hearth. I have bought a lot of their patterns and they are well set-out and easy to understand. The girls even gave us free patterns for a mug bag and mat and a frame bag for a rotary cutter.
Thanks for the lovely Show and Tell Lisa and Lou. I hope you enjoy seeing their lovely quilts as much as I did yesterday.
Hugs, Jan Mac
Today's blog post is all about applique quilts. I'm lucky enough to belong to a group of excellent quilters with a passion for applique and the Show and Tell today was spectacular as usual. Unfortunately I don't have information about who made all of the quilts and which are original designs so just enjoy the photos. We also had two lovely guest speakers today and I'll share their quilts in tomorrow's blog post. It was a beautiful spring day made all the better by sharing quilty fun with like-minded quilters. I have a drive of over 2 hours to and from the meeting but it is always worth it to be inspired by this group of talented quilters. Our next exhibition will be held in March 2016 and if this year's is any indication it will be showcasing fabulous appliqued quilts. We all leave the meetings full of inspiration and enthusiasm to go home and stitch so I'm getting off the computer and spending some time with Baby Jane. According to Brenda P. the original Dear Jane quilt is the Mother and our versions are Baby Jane's.
Last week I took two days of classes with Brenda Papadakis and we worked on back-basting for applique. I had wanted to try the technique so I was very happy to be able to take a class with a master quilter. Firstly I'm sharing my photo of La Passion. I have almost finished Part 3 and I just have 2 more rows of light and dark blue respectively to stitch around the outside. You can see a small amount I stitched today on the section from six to nine o'clock on the photo.
Back-basting is one way to place the design on the fabric and position the applique pieces accurately. First, you trace the outline of the design on the back of the background fabric. I used a light pencil to mark the design. Then you place the fabric to be appliqued on top of the right side of the background fabric. Then, using a size 8 straw needle and contrasting quilting thread, baste along the stitching lines, through both of the fabrics. In this case I basted the circles but there would not be enough seam allowance to baste the leaves so I traced them on freezer paper and will stitch them on top, using the needleturn applique method.
The use of quilting thread and a larger needle gives you a faint outline of holes caused when removing the stitches. You clip about every second stitch and remove it as you reach it. It is an easy way to place the different pieces to applique. I don't know that it is useful for all applique but it is a very handy technique for quite a few applique projects.
I have also finished Dear Jane I-6 and will finish F-13 soon. Tomorrow I'm off to my Applique Grioup's meeting so I hope to have some lovely photos to share with you.
Hugs, Jan Mac